Billboardâs Greatest Pop Stars of the 21st Century: #15 â Miley Cyrus With no shortage of chart hits and even more iconic culture-shocking moments, sheâs endured as one of the centuryâs most significant pop stars â because no matter what style sheâs trying out, sheâs always still just being Miley.
article by Billboard.
Itâs not uncommon for songwriting credits to be added after a song's initial release, as seen with âGood 4 Uâ in 2021, often following negotiations between the parties involved. However, if Mars and his co-writers are not credited, Cyrus is unlikely to have any legal obligation to give them.
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Does this mean thereâs no chance of Mars and his co-writers being added as co-writers to the âFlowersâ credits? Not necessarily. While Cyrus may be legally protected from the âYour Manâ writers, she might choose to include them out of goodwill and to avoid further conflicts.
âLyrically, there are enough similarities for listeners to think that âFlowersâ is intentionally responding to the earlier song. But even if thatâs the case, so what? Using one song to reply to another isnât infringement.â â Joseph Fishman, professor at Vanderbilt Law School and music law expert.
When Miley sings âI can buy myself flowers,â she does so with her own melody and cadence, distinct from Marsâs âI shouldâve bought you flowers.â Simply using some of the same words as an older song does not constitute copyright infringement.
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The two songs share some sonic similarities that could raise copyright concerns, but there are no direct samples, clear interpolations, or significant overlaps in melodies, rhythms, or production textures.
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Why Miley Cyrusâ âFlowersâ doesnât need to credit Bruno Mars: I saw many comments saying that âFlowersâ only became a hit because it sounds like âWhen I Was Your Man.â I want to emphasize that âFlowersâ release give âWhen I Was Your Manâ a nearly 20% bump in weekly streams. +