Thank you, this was lovely! 💜
Gift-link - gorgeous and indeed worth ten minutes of your day! Larry Buchanan, Nico Chilla and Francesca Paris, "10-Minute Challenge: Hiroshige’s ‘Sudden Rain’" (NYT; #skystorians#arthistorywww.nytimes.com/interactive/...
We’d like you to look at one piece of art for 10 minutes, uninterrupted.
YOUR HISTORY TEACHER NEVER TOLD YOU- *me, checks lecture notes* I definitely told you. YOUR TEXTBOOK LEFT OUT- Me: It is on page 37 and again on 54. HISTORIANS NEVER ADMIT- Me: Look will you just admit already that you slept through class?
📜 Call for paper: Digital Approaches to Materiality of Manuscripts | IMC 2025, Leeds We are seeking papers dealing with digital manuscript studies for a series of sessions entitled ‘Digital Approaches to Materiality of Manuscripts’. 📆 Deadline for proposals: 25 September 2024
The thing about T&F is that their business model for books is increasingly based on high volume, low editorial/production input and pushing work onto academics where possible. Even AI aside, there are so many university presses and non-commercial publishers who will take better care of your work.
Working with Taylor & Francis is simply unethical by this point. It’s unfortunately difficult to have AI use revoked from existing contracts but at least try, complain, if you have a book with them. And otherwise do not even consider.
Tim Tangherlini of UC Berkeley and Peter Broadwell of Stanford presenting the work with ISEBEL.eu#digitalhumsnities#tradition#archives
We've got a brand new edition of the CMOS, and we still don't have robust guidance for how to format digital project citations. What do your footnotes look like, #DigitalHumanities BlueSky?
