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jamelle
@jamellebouie.net
The real jbouie. Columnist for the New York Times Opinion section. Co-host of the Unclear and Present Danger podcast. b-boy-bouiebaisse on TikTok. National program director of the CHUM Group. Send me your mutual aid requests. Email: jamelle.bouie@nytim
180k followers449 following8.7k posts
Jjamellebouie.net

that is what’s so remarkable to me about this movie. it does everything to strip away the movie star gloss from Paul Newman. 20 minutes in you’re fully convinced that this guy is just the most miserable person on the planet. a guy who is barely alive and is clearly trying to drink himself to death

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Nthewesterhazys.bsky.social

Yes exactly. The first funeral home scene really sells the dead inside misery for me. The scene with Rampling where you can’t quite tell if he has a little spark left and really does believe in juries or if he’s just trying to get over with her is a model of ambiguity. Great performance.

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LWinfoshaman.bsky.social

The Filmspotting podcast is doing a 6-film Lumet retrospective. This week I watched 1974's 'Murder on the Orient Express', an exhibit from the studio-death era. Initial train sequence is a mise-en-scène from a big musical. Lumet then lets the marquee stars run wild in a tight space. You picked well.

#984:  Top 5 Whodunits, Murder on the Orient Express (Lumet #5), The Substance, Will & Harper — Filmspotting
#984: Top 5 Whodunits, Murder on the Orient Express (Lumet #5), The Substance, Will & Harper — Filmspotting

The Butler did it.

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J
jamelle
@jamellebouie.net
The real jbouie. Columnist for the New York Times Opinion section. Co-host of the Unclear and Present Danger podcast. b-boy-bouiebaisse on TikTok. National program director of the CHUM Group. Send me your mutual aid requests. Email: jamelle.bouie@nytim
180k followers449 following8.7k posts