The Devil's Business (Director: Sean Hogan) is an underrated modern horror film. Genuinely haunting and eerie. There is a real, unsettling horror in the mundane setting of a suburban English household. Like Borderlands, it builds to a terrifyingly uncanny finale.

John Phillip Law as Diabolik was far sexier than Alain Delon ever was and we shouldn't be afraid to say so.

Outsider art window display.

Outside of his classic canon, I have a massive soft spot for Farewell, Friend. A moody crime film co-starring someone I consider his American synonym, Charles Bronson.

Alain Delon was pure beauty and charisma. He defined a European cultural and cinematic aesthetic in the 60s. He was also a malleable façade that could be shaped by giants of European cinema that directed him.

No booze in desserts. The hill I will die on.

And Babbacombe Model Village this week.

Went to the Isle of Wight model village last week.

Cat sitter fell through. Had to bring cat to Plymouth with us

Hell's Ground director, Omar Ali Khan's huge book on Pakistani cinema, Loose Cannons & Dangerous Curves. A mammoth exploration of the wild world of Pashto, Punjabi and Urdu language cinema. Khan takes on religious, regional & gender politics to be found in Pakistani pop culture.