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Olá olá Você que não era da minha bolha no falecido, provavelmente não conhece meu curta. A Carta foi um projeto que exigiu muito de mim, tanto fisicamente quanto mentalmente. Caso você tenha interesse segue o link youtu.be/1BlmZXA2vpk#CineSKY#IndieMovie#CurtasBR
“Japan and Korea have sought to strike sexual slavery from the historical record, but survivors have found shelter in other archives.” 📽️ 🇯🇵 🇰🇷 🎞️ #film#movies#cinema#CineSky Faces in the Crowd: “Comfort Women” on Film on Notebook | MUBI
Japan and Korea have sought to strike sexual slavery from the historical record, but survivors have found shelter in other archives.
“Born the same year as his close friend Yasujiro Ozu, Hiroshi Shimizu (1903-1966) remains one of the forgotten masters of Japanese cinema, praised by contemporaries including Kenji Mizoguchi but neglected despite his radical spirit and versatile talent….”📽️🇯🇵🎞️🗽 #JapaneseCinema#CineSky#JapanSociety
Declared a genius by Kenji Mizoguchi, Hiroshi Shimizu remains one of the forgotten masters of Japanese cinema. Distinguished by his loosely sketched plots and roaming camera, Shimizu’s worlds are suff...
“An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity….” 📽️ 🇯🇵 🎞️ 🗽 #film#movies#JapaneseCinema#CineSky#MoMI#NYC Hiroshi Shimizu Part I: The Shochiku Years – MoMI
An unsung master of Japanese cinema, Hiroshi Shimizu (1903–1966) was highly regarded by contemporaries Yasujirō Ozu and Kenji Mizoguchi for his seemingly effortless formal ingenuity. This retrospective offers the first New York survey of the major yet often overlooked filmmaker in more than 30 years and the largest ever assembled in North America.