BLUE

Lmao oh ok. in conclusion I recommend a paragon of Canadian filmmaking excellence, CUBE (1997)

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Actually seeing a feature before offering an opinion seems a basic requirement. Filmmaking is so terrifically demanding, that I have respect for anyone who actually manages to get one made. Then if its a *good* film, so much the better.

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EKinkskratch.bsky.social

Now watching Ah Kam aka The Stunt Woman (1996, Hui). Stars Michelle Yeoh and Sammo Hung, about filmmaking in Hong Kong and the lives of stunt performers

Ah Kam aka The Stunt Woman (1996, Hui)
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JRjumprangers.bsky.social

Got questions about screenwriting? Hollywood? Game development? Want to talk about space dinosaurs? Monday is our weekly #AMA@tennysonestead.bsky.socialwww.twitch.tv/jumprangers#TTRPG#screenwriting#screenwriter#gamedev#worldbuilding#film#filmmaking#WIP#scifi

JumpRangers - Twitch
JumpRangers - Twitch

The Ranger's Roost

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gengarro.bsky.social

Even if it's a disaster, it'll be the kind of disaster that drives students into filmmaking just so they can try to do it the way it should have been done

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It's Week 40 Southern Horror in the #OhMyHorror#NowWatching#HorrorSky#MutantFam Blood, Guts, and Sunshine: The History of Horror Made in Florida (2021)

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CLchrislavigna.bsky.social

Very sincere about this btw, I love FFC and maximalist filmmaking in general and genuinely need that modern cinema needs more and not less of it if we want the art form to survive.

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TSthatshelf.com

Ann Marie Flemingā€™s long-awaited return to feature filmmaking is an auspicious look at the climate crisis, set in a cozy yet dystopian future in which no human being lives past the age of 50. #TIFF24

Can I Get a Witness?: TIFF 2024 Review
Can I Get a Witness?: TIFF 2024 Review

Ann Marie Flemingā€™s long-awaited return to feature filmmaking envisions a future in which no human being lives past the age of 50.

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