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MSmaeveynot.bsky.social

metafiction, silicone, tapioca, etc

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NPkyorosix.bsky.social

the first ever metafiction novel about metamours will of course be a Cloud Atlas like nested novel where you follow polyamorous people over the course of their lives and partners that come and go. but they'll also talk about being in a dang book.

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SFsamshotfirst.bsky.social

The older I get the more I realize young me was correct, “Duck Amuck” is the absolute height of comedy. Metafiction peaked c. 1953.

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GMgraysonmorley.bsky.social

I reviewed the excellent UFO 50 for @polygon.com. It’s a love letter to the 8-bit era, yes, but also a wonderful bit of metafiction that celebrates developers, creativity, and iteration. It’s out today. Make time for this one—or this 50.

UFO 50 was terrible to review but incredible to play
UFO 50 was terrible to review but incredible to play

Presenting itself as an anthology of all 50 games developed by UFO Soft, a fictional game studio active from 1982-89, UFO 50 is all about breadth and variety.

3
thaddeus.zone

gotta stop looking at this "metafiction," represented by an image of don quixote & sancho panza, is just above bottom-tier & beside "references" i'm gonna taste somebody's marrow over this

1
SCwikisteff.bsky.social

I do not disagree, this is bad and pointless. I ran it through GPT to see how bad it would be, and it violently disagrees with this graphic.

### **Final Sorting Order:**

#### **S-tier: Absolute GOAT 🐐**
1. **Protagonists**  
2. **Show, Don't Tell**  
3. **Themes**  
4. **Writing**

#### **A-tier: Elevates the media experience significantly**
1. **Antagonists**  
2. **Foreshadowing**  
3. **Genre Deconstructions**  
4. **Moral Greyness**  
5. **Psychology**  
6. **Subversions**

#### **B-tier: A good detail but lacking in depth**
1. **Betrayals**  
2. **Dark Subject Matter**  
3. **Metafiction**  
4. **Philosophy**  
5. **Post-Modernism**  
6. **Symbolism**

#### **C-tier: Mid trope, doesn't add much to the writing**
1. **Open Endings**  
2. **References**

#### **D-tier: Sours the overall media experience, L trope**
- None of the listed tropes
Tropes Breakdown:
1. Antagonists: Antagonists are essential to conflict and tension. A well-written antagonist elevates the narrative, while a poorly written one can make it feel flat.
Tier: A-tier
2. Betrayals: Betrayals add emotional weight and complexity, but if overused, they can feel cheap.
Tier: B-tier
3. Dark Subject Matter: Dark subject matter adds depth and realism, but can alienate audiences if gratuitous.
Tier: B-tier
4. Foreshadowing: Good foreshadowing creates satisfying payoffs and enhances cohesion. Poor foreshadowing feels like a missed opportunity.
Tier: A-tier
5. Genre Deconstructions: Deconstructing a genre leads to fresh storytelling by subverting expectations, but can feel pretentious if not handled carefully.
Tier: A-tier
6. Metafiction: Metafiction can be clever and engaging, breaking the fourth wall, but can also be gimmicky.
Tier: B-tier
7. Moral Greyness: Moral ambiguity adds complexity to characters and situations, making the story more realistic and thought-provoking.
Tier: A-tier
8. Open Endings: Open endings can be divisive. Some appreciate the ambiguity, while others find it frustrating and unsatisfying.
Tier: C-tier
9. Philosophy: Philosophical themes can add depth and provoke thought, but they can also feel heavy-handed or out of place.
Tier: B-tier
10. Post-Modernism: Post-modernism challenges traditional storytelling, often leading to innovative narratives. However, it can also feel inaccessible or abstract.
Tier: B-tier
11. Protagonists: Protagonists are the heart of most stories. A well-developed protagonist can carry the narrative, while a weak one can make it feel hollow.
Tier: S-tier
12. Psychology: Psychological depth in characters and themes adds complexity and realism, making the story more engaging and relatable.
Tier: A-tier
13. References: References can be fun Easter eggs, but they can also feel forced or alienating if overused or too niche.
Tier: C-tier
14. Show, Don't Tell: Showing rather than telling allows for more immersive and engaging narratives.
Tier: S-tier
15. Subversions: Subverting expectations can lead to fresh storytelling, but it can backfire if it feels like subversion for its own sake.
Tier: A-tier
16. Symbolism: Symbolism can add layers of meaning, but it can also feel pretentious or obscure if not handled well.
Tier: B-tier
17. Themes: Themes are the underlying messages in a story. Strong themes elevate a narrative, while weak ones can detract from it.
Tier: S-tier
18. Writing: Writing is the foundation of any narrative. Good writing can make or break a story.
Tier: S-tier
0
CScraigschaefer.bsky.social

This is the kind of metafiction I adore.

0
VAblipstress.bsky.social

also, it is the first part of a complex metafiction that will most likely consume decades of my life. but that's not super relevant here.

0

if you like dystopias but wish they were more about metafiction, gay relationship drama, and cosmic horror than they were about shooting people, you might enjoy picking up stardust, my dystopian sci-fi horror metafiction about a psychotic military cult victim and her repressed best friend.

0
Bschlage.town

metafiction! in the baby book

Photo of a spread from "Pat the Bunny" that instructs you to read Judy's book, a book within a book that had its own smaller pages you can turn
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