BLUE

The challenge is to choose 20 album covers that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews. Just covers. And descriptive alt text. 20/20 - The Land of Rape and Honey by Ministry #20AlbumCovers#Ministry

Nearly monochrome but with hints of purple in the lighter tones, the image is hard to make our. It's a picture taken from a TV broadcast and heavily distorted but it's just possible to make out the shapes of skeletal remains encased in the ground and fragments of skull seem to be present although they could be the effects of pareidolia. The overall colours and lack of sharp texture almost make it feel like the photo was taken at the bottom of the ocean by some kind of robotic rover craft. The artist name appears top right and the album name appears bottom left, both in a narrow, scratchy typeface in yellow.
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Gglyndekari.bsky.social

pareidolia moment

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EKtleno.bsky.social

I got that too kinda but I think my brain just gets easily unsettled by what I very scientifically call "spooky pareidolia" where it goes "oh shit angry warped face in picture?! There can be angry warped faces anywhere"

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DAdalonso.mas.to.ap.brid.gy

AI pareidolia: Can machines spot faces in inanimate objects? https://news.mit.edu/2024/ai-pareidolia-can-machines-spot-faces-in-inanimate-objects-0930 "New dataset of “illusory” faces reveals differences between human and algorithmic face detection, links to animal face recognition, and a […]

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GBguibatistag.bsky.social

Pareidolia kkkk

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Qquietquiet.bsky.social

Da próxima vez que alguém me pedir um exemplo do que é pareidolia ou o quão foda são as artes que se apropriam dela vou mandar essa foto. Se bem que dependendo da idade e da pessoa, não vai entender…

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SCsophiecarr.bsky.social

You mean like this guy?! 😂 #pareidolia

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RIraptorizedira.bsky.social

This one is not as good as the previous James Jean book in this list, but...

The cover to James Jean Pareidolia. It features a painting titled Adrift, which depicts a young woman with waves cresting behind her.
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