BLUE
kennethconway.bsky.social

“Beach at Beverly.” John Frederick Kensett (American; 1816–1872). Oil on canvas, ca. 1869–72. National Gallery of Art, Washington, D.C. #johnfrederickkensett#kensett#beverly#nationalgalleryofartwashington#nationalgalleryofart @ngadc

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kennethconway.bsky.social

“The Beach at Villerville.” Eugène Boudin (French; 1824–1898). Oil on canvas, 1864. National Gallery of Art, Washington, D.C. #eugèneboudin#eugeneboudin#boudin#villerville#nationalgalleryofart#nationalgalleryofartwashington @ngadc

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kennethconway.bsky.social

“Sunset from a Rocky Coastline.” Jean-Achille Benouville (French; 1815–1891). Watercolor with pen and brown ink and touches of white gouache over graphite on blue-gray wove paper, 1842. National Gallery of Art, Washington, D.C. #jeanachillebenouville#benouville#nationalgalleryofart @ngadc

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TCtrinaherself.bsky.social

“It is the set of the sails, not the direction of the wind that determines which way we will go.” ~Jim Rohn #AlphabetChallenge#WeekJforJourney#NationalGalleryofArt

“It is the set of the sails, not the direction of the wind that determines which way we will go.” ~Jim Rohn
#AlphabetChallenge 
#WeekJforJourney

Photo of Winslow Homer's painting, Breezing Up, 1876. In it, a man, his son & a third man set off in a boat with the sail let out to catch the stiff breeze. The sea is choppy green waves, and the sky is mottled blue with clouds. The painting was inspired by the sight of fishermen putting out to sea in Gloucester, MA. National Gallery of Art, Washington, DC
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kennethconway.bsky.social

“Margaret Stuyvesant Rutherfurd White (Mrs. Henry White).” John Singer Sargent (American; 1856–1925). National Gallery of Art, Washington, D.C. #nationalgalleryofart#nationalgalleryofartwashington#johnsingersargent#sargent#margaretstuyvesantrutherfurdwhite @ngadc

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kennethconway.bsky.social

“Rocklined Beach with Distant Boats.” William Stanley Haseltine (American; 1835–1900). Pen and black ink with graphite and gray wash, ca. 1860–69. National Gallery of Art, Washington, D.C. #williamstanleyhaseltine#haseltine#nationalgalleryofart @ngadc

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kennethconway.bsky.social

“Study of a Seated Man.” John Singer Sargent (American; 1856–1925). Transfer lithograph on laid paper, 1895. National Gallery of Art, Washington, D.C. Printed by Frederick Goulding (British; 1842–1909). #johnsingersargent#nationalgalleryofart#sargent#nationalgalleryofart @ngadc

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kennethconway.bsky.social

“A Couple Seated on the Beach with Two Dogs.” Eugène Boudin (French; 1824–1898). Watercolor and graphite, ca. 1865. National Gallery of Art, Washington, D.C. #eugèneboudin#eugeneboudin#boudin#nationalgalleryofart @ngadc

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kennethconway.bsky.social

“On the Beach, Trouville.” Eugène Boudin (French; 1824–1898). Oil on wood, 1887. National Gallery of Art, Washington, D.C. #trouville#eugèneboudin#eugeneboudin#boudin#nationalgalleryofart @ngadc

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