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IPipackgotravel.bsky.social

"Me Time" is important. Stop at a Cafe Bar on your way home. Have a quiet 20 minute coffee with yourself. #JustYou#NoInterruptions#MeTime#MeMyselfI#TimeForYourself#20Minutes#Coffee#Art#ayearforart#buyintoart#CafeBar#photographyipackgotravel.pixels.com/featured/ist...

Street view of colourful buildings and window shutters. The street is paved with large bricks and there is blue sky when you look upwards. A street cafe with patio furniture, a canopy and vague silhoettes of patrons create a cosy atmosphere.
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Aacryweaver.bsky.social

How could she be happy, after all they've done? #mlp#mlpfim#mlpart

A short, vertical comic strip, the two main panels are seperated by a line and a circle. In panel one, Luna gazes out of a golden framed window, onto the castle grounds, where passing through a trellis and walking down the garden path are two silhoettes. One is much larger, with butterfly-like wings. Luna says, "of course such creatures would love one another." In the circle, we see them close up. The taller is a Changeling Queen who resembles Queen Chrysalis, but with a blue mane and eyes, and cyan rounded jewels set into her chest. Beside her is a pale yellow unicorn, her pupil is a slightly lighter blue than the iris, her ears are long and fluffy white inside, there is a bandage passing under her multi-coloured mane, hiding an injury between her eyes and below her horn. She blushes as the Queen smiles down at her. In the third panel is Luna from the front now, her eyes are narrowed and she looks down her nose in disgust. She says, "Celestia, you're too forgiving now..."
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BAbeladesilver.bsky.social

The added weird position sex to Warframe. (better description on alt text, it's very hard to make the silhoettes)

My Drifter from Warframe, doing the Tennocon 2022 emote and my friend's Drifter doing the Heirloom emote. We've done in it such a way, it looks like I'm doing some gymnastics while he fucks me from the back while grabbing my right leg in his chest. The silhouettes are really hard to make out and there's the Tennocon 2022 logo plastered over it, obscuring half of my body.
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LDlordsovorn.bsky.social

Anatomy of the Purgatory, Part I In our desire for safety and comfort, we chase power, and power requires understanding. The Under is vast and treacherous, and humans once used to search for ways to dissect and classify even their very prison-underworld. (1/10) #pixelart#украрт

CHAMBERS AND HALLWAYS Sketches of a person holding a torch at the entrance of a wide cave space, branching into two somewhere in the distance. A multilayered map of a cave system on the right.
CELLS & TUNNELS Sketches of a uneven and cramped cave spaces, cracks and tunnes. A map of another cave system.
STAIRCASE / CLIFF A sketch of a semi-vertical tunnel with many rocks, somewhat climbable-looking; and of a sharp cliff with only distant silhoettes of stalagmites visible somewhere below. Another map of branching and merging, rising and falling tunnels.
True dead end: a map-sketch of a space with 1 connection to outiside spaces. A smaller attached dead end is irrelevant. False dead end: ... one wide passage and one small, presumably unfit for human traversal, tunnel on the side. Passing chamber: ... two wide connections. Open chamber: ... three wide connections and two small tunnels.
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FCfionacreates.bsky.social

As I work mostly in shape, I’m a big fan of “backlight it so its all silhoettes” xD

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LDlordsovorn.bsky.social

P. S. It was exactly in this context that these pieces by Kazymyr Malevich were made. Yes, that Malevich, the famous Ukrainian (vocal, self-identified and often persecuted for it) avant-garde painter 1. "Where there is hammer and sickle, there is death and hunger" 2. "Person that runs"

"Three persons" / "Where there is hammer and sickle, there is death and hunger" White paper background with three scribbled with black outlines, progressively taller silhoettes of armless, featureless peasant women. The first one has a hammer and sickle on her face, the second - a cross, the third - a coffin. In this example, the titular line is cropped out, but in the full picture, it is written in a tiny text in the corner. K. Malevich, 1932-33
A featureless man, painted in black with white beard and hair, long green shirt and white pants, running against the black sky and the field of (top to bottom) yellow-blue, red, black, green, white, yellow and white strips. In the background, there are two towering crosses - one is tall and red, the other is farther, white with a red base, standing between two bright silos (houses?) in red, black and white. K. Malevich, 1933
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