Trying to get better about remembering where all I can conceivably cast eyes upon my work. I'm particularly proud of my latest Abibliophobia column piece for @dreadcentral.bsky.social, about HUESERA: THE BONE WOMAN, Delicate Condition, and the strains and connections in woman(and mother)hood.
In the latest Abibliophobia, Katelyn Nelson examines 'Huesera: The Bone Woman' and the novel 'Delicate Condition'.
Like supporting new voices in the film review scene? Like seeing Don Lee beat people up? Support both by checking out the latest post on Daily Grindhouse, where new writer Katie Beachy makes her debut talking THE ROUNDUP: NO WAY OUT and the best balance between comedy and action!
Crime action films today can often, despite what the genre might suggest, leave the viewer inexplicably searching for more. Overused actors, villains with vague intensions, and overplayed tropes often...
I remain fascinated by poster choices when it comes to movies with disabled central or vital characters but this one was a lot of fun.
I'm not sure what there is to say about HIPPO. It has defied my attempts at description at every turn. Very funny, indescribably weird, wholly of it its own. #PanicFest2024
CANNIBAL MUKBANG is something of a gory rom com and, despite its unsatisfying end, it was a nice trip into some weird and wonderful areas of culture that are generally flying under the radar. #PanicFest2024
Next on the #PanicFest2024 docket was the aptly titled YOUNG BLONDES, STALKED AND MURDERED which, actually, digs into some uncomfortable realities about the way young women are taught to consider their value in society.
First watch of #PanicFest2024 was ALL ALONE TOGETHER, and while I'm still parsing through my feelings about it, it was an undoubtedly affecting way to kick things off.
Rising from forgetfulness to bring my Panic Fest musings here! If we haven't gotten the ability to thread yet, prepare for a spam.
Finished the One Piece Netflix show, time to cry.