So if The Game Awards - focuses on more on commercial content - refuses to acknowledge the devastating layoffs - ignores a humanitarian crisis - grants game developers less time on stage than a fucking MUPPET Why are we even endorsing this event at all as an industry?

Lieve Oma can be read as a story about grief. I bawled my eyes out the first time I played it. Silent Hill has always been about grief. A more recent horror game exploring the theme would be Signalis. Finally: Goodbye Volcano High feels like grieving for a future that will never be. Powerful!

this is a bloody great name for a climate report www.unep.org/resources/em...

Wow, that’s really great - love it!

This has been an amazing year for AAA (releases - companies, not so much), but playing IGF judge this past month, this year had some wonderful indie gems as well. Looking forward to the nominations!

I’m going to have to buy a second Steam Deck aren’t I?

The Games For Gaza itch bundle is now LIVE!! You can get 256 games by 140 designers for $10, with all proceeds benefitting Medical Aid For Palestinians. itch.io/b/2120/games...

Magical experience tonight at the World Soundtrack Awards game concert. What I loved even more than the spotless performances itself was the utter joy on the faces of composers and musicians (or in the case of Gustavo Santoalalla - a combination of both) alike. A true celebration of their craft.

Sorry 😅

Ik zie misschien spoken, maar zou dit de weerslag kunnen zijn van het Starfield-incident waarbij talloze media geen vroegtijdige code kregen? Een beetje zoals het aangekondigde “pensioen” van Jim Ryan en de exit van John Riccitiello?