Very grateful to Stefan Bargheer for this incredible review of Moral Minefields, by Sam Stabler and myself. "Rather than silencing debate, morality in science opens up new avenues for research and fosters innovation." journals.sagepub.com/doi/abs/10.1...@uchicagopress.bsky.social
I'm very grateful to Håkon Larsen's generous and insightful review of our book Moral Minefields: How Sociologists Debate Good Science! Being reviewed in the same essay with Gabriel Abend and David Stark is a true honor. link.springer.com/article/10.1...
Pleased to share that my and Sam Stabler's book "Moral Minefields: How Sociologists Debate Good Science" received recognition from ASA! Honorable mentions for the Robert K. Merton Book Award at the Science, Knowledge, and Technology Section & the Outstanding Published Book Award at the AMSS Section
Good Sociology and the Future Organization of Social Research: @chdaye.bsky.social@dromishai.bsky.socialwww.journals.uchicago.edu/doi/abs/10.1...
There is a review essay on Moral Minefields: How Sociologists Debate Good Science, by Sam Stabler and myself, alongside Gabi Abend’s new book. Very grateful to Christian Dayé for the close engagement and the kind words about the book! www.journals.uchicago.edu/doi/abs/10.1...
I'm honored to be Chair-Elect of the Altruism Morality and Social Solidarity Section at ASA. The section has supported me for years - I'm now looking forward to giving back and helping others in the field. Thanks to everyone who's made the section such a great community!
Just published on Social Forces -an incredible review of "Moral Minefields" by Sam Stabler and myself, written by Corey Miles - I'm very grateful to Corey for highlighting how our work can spark productive conversations about how sociologists evaluate research. academic.oup.com/sf/advance-a...
"From Gods to Satire" seminar met with curator Elizabeth Rudy to discuss new directions in AfAm art-We observed Kerry James Marshall's work and visited "It's Time" exhibition by LaToya M. Hobbs. Students connected observations to Banks' work on art & the Black upper-middle class.
Our seminar explored how 18th/19th century prints by Rowlandson, Heartfield, and Cruikshank used humor and satire to critique religious and political figures. We analyzed works from the Harvard Art Museums that subverted power through laughter while delivering biting social commentary.
