What’ll they learn about operas…
If the new (very good) Salem’s Lot was released in theaters would it have been number 1?
For me because they have actual people on the register. Royal Farms’ commitment to self-checkout is a disaster - they no longer merit the word “convenience”.
I didn’t see the point of it and was pissed off by the end. Stylish, Julia Garner is good, but didn’t we just do this with The First Omen? And none of that movie’s zip.
Lovely Tony Hatch score.
Co-sign. One of the “possessed” lost souls they saved was some sad guy addicted to porn. “Annabelle” was a Raggedy-Ann doll. I don’t like any of the movies, but Vera Farmiga is just so fucking good.
The whole Sydney Sweeney obsession played into this - the notion of there being this unquestionable blonde and busty paragon of female beauty. The talk about her was weirdly more reverent than horny, like she was a goddess and any visually dissimilar women couldn’t possibly be attractive.
Name of the Game and SEARCH were wheel shows, in that they had alternate leads - not sure of the timeline.
Wait…but I thought he won?