BLUE
RH
R H
@flinflonimation.bsky.social
Programmer, in Winnipeg, made a couple video games with Unity. Now learning Godot. He/Him
22 followers80 following145 posts
RHflinflonimation.bsky.social

For analogy in the medium of smart phone games you have the touch screen interface on a device people carry with them but in the business framework, I hope you like free-to-play.

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RHflinflonimation.bsky.social

I’m mentally connecting this thread with the latest RTFM podcast episode “Game Design as Practice” like there’s the artistic practice and business practice of VR. As a medium I see a lot to like about it even if it’s hard to frame a marketable product within it.

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RHflinflonimation.bsky.social

Yes, ha ha ha, yes.

Cover of Elemental Magic Volume II: the technique of special effects animation by Joseph Gilland
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I figure it was a game where the pieces depicted people in some fashion.

Candy Land player piece that looks like a ginger bread man, emphasis on man
Clue pieces depicting all the suspects
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YouTube should have a setting that autoskips every second frame in a 60FPS video so I can watch anime ops in the original version.

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@ozone.birb.house I guess I’m a dame gev

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RHflinflonimation.bsky.social

Suzanne for face?

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RHflinflonimation.bsky.social

Even when you aim to display objective fact, something of yourself sneaks in through what facts you see worthy of inclusion.

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RHflinflonimation.bsky.social

The Beaver Manifesto, but one quote aligns with some of my other interests, “Maps must be viewed as representations of the cartographer’s bias.”

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Not that particular course but another I took on simulation had assignments in the wrong order so it was giving me assignments on things I hadn’t seen the lecture for yet.

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RH
R H
@flinflonimation.bsky.social
Programmer, in Winnipeg, made a couple video games with Unity. Now learning Godot. He/Him
22 followers80 following145 posts