Wakehurst is an estate centred on an Elizabethan mansion, which later became an outpost for the Royal Botanic Gardens, Kew. The latest blog post explores the evolution of these Grade II* gardens, which now include the Millennium Seed Bank: bit.ly/3TSYmSs.
The Great Conservatory at Syon House looked particularly splendid in some recent sun. Erected in the 1830s, with a dramatic parabolic dome above a cast iron frame, itâs listed at Grade I, and is the âfirst metallic horticultural structure of any importanceâ. #IronworkThursday
The latest post on the blog (bit.ly/3TJ7jxI) looks at two model villages with a strong heritage dimension: Bekonscot is the oldest model village, in a garden now recognised as a non-designated heritage asset, whilst Bourton-on-the-Water is listed at Grade II.
Reinforced concrete is one of the most common building materials, but did you know that its origins lie partly in flowerpots? Joseph Monier, a C19 French gardener, needed more robust pots, and experimented with wire reinforcement of concrete, leading to an 1867 patent. đŞ´
This weekâs blog post explores the history, evolution and current form of the gardens of Longleat, in Wiltshire: bit.ly/3XqdDLu. Whilst now most famous for its lions, the Grade I landscape has C17 origins, with later input from both Capability Brown and Humphry Repton.
On a recent visit to a National Trust property, the welcome included reference to the âdisillusionment of the monasteriesâ. It kind of works, and Iâm now thinking thatâs how Henry VIIIâs efforts should always be described.
The latest blog post (bit.ly/4elG5VN) looks at the origins of the National Heritage Memorial Fund (NHMF), and its use in the conservation of historic parks and gardens: conservation does not just take place through the planning system, but requires funding, too.
Itâs the last week of the Autumn Festival at Aylett Nurseries: dahlias in abundance. Around 4000, in fact (across 70+ varieties), in both the trial ground and the Celebration Garden.
Finally made it to âThe Wonderful World of the Ladybird Artistsâ exhibition. The wall of Ladybird wonders was a particular delight - all visitors being heard to say âI had that oneâ. A good gardens presence, too. Informative and charming. đ
This weekâs blog post looks at âTurkish tentsâ, as found in many an eighteenth-century garden: bit.ly/47fr6dG.