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¡Gordo Y Más!
@gordo-y-mas.bsky.social
Celebrating the work of critically acclaimed cartoonist Gus Arriola, and his iconic comic strip Gordo! Sharing photos from my personal collection of newspaper strips, original art and more! (account operated by Jon Morris @calamityjon.bsky.social)
73 followers22 following113 posts
YMgordo-y-mas.bsky.social

Strips from a 1954 storyline (in which Juan Pablo Jones inadvertently composes a tune that sets the music industry on fire) show off some of Del Monte's architecture, including the local musical reparatory, a rare long shot of Pelon's cantina, the local post office and Del Monte's little pink church

The home of Del Monte's only classical musical maestro.
A rare long shot of Pelon's "Pool Parlor," including the second floor which is theoretically Pelon's home.
A rare appearance by nearsighted mailman Rudy at Del Monte's post office.
The little pink church on the hill in panel one...
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YMgordo-y-mas.bsky.social

The storm abates and returns, including the following week on November 16, 1972, sporting one of Arriola's trademark philosophical punchlines.

Señor Dog and Poosy Gato watch the rain and ponder:

Señor Dog: Wonder where the birds go during a downpour like this?
Poosy Gato: If I knew that, I'd be one fat cat!
Birds, hiding under the tiles of Gordo's roof: The only true contributions man makes to nature -- are his unconscious ones!
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YMgordo-y-mas.bsky.social

November 9, 1972, a storm rolls into Del Monte. Despite the limited space of a daily newspaper strip in 1972, the artwork is finely detailed.

Gordo by Gus Arriola, 11/9/1972. Poosy Gato and Señor Dog run into the house after being drenched in a torrential downpour. After they shake themselves dry, a wet Gordo complains "I thought HOUSES were for sheltering MAN from the ELements!" to which Pig replies "Hasn't he ever heard the expression 'Raining cats and dogs'?"
Closeup of panel one depicting a heavily cross-hatched piece of dark clouds pouring rain on the silhouettes of Senor Dog and Poosy Gato, with the leaves of maguey planets in the foreground.
Poosy Gato and Señor Dog, soaking wet, come inside the house to dry off.
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YMgordo-y-mas.bsky.social

March 28, 1973, and Charley V. Richards of San Bernandino, CA, has some harsh words for Broom Hilda and the other "asinine doltish strips you add to your comic page". At least he's fond of Gordo!

"The asinine doltish strips you add to your comic page -- such as Nancy, Hagar, Broom Hilda, etc."
"I enjoy the Small Society, Gordo, Peanuts and others that are humorous."
Charles V.Richards, San Bernandino
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YMgordo-y-mas.bsky.social

Previously, during one of his visits, (as related here by Pepito to the "guhl nex' dah," Texan expatriate Mary Frances Sevier) Knott had found the solution to writers' block in a hallucinogenic toadstool which uniquely grew only in Del Monte.

Gus Arriola's Gordo September 21, 1960. Pepito recalls Windsor Knott's discovery of the hallucinogenic toadstools of Del Monte.
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YMgordo-y-mas.bsky.social

From August to December of 1960, Gordo and company are revisited by their old friend Windsor Knott, author of the popular newspaper comic strip "Home Ties." Windsor was Arriola's incarnation of all cartoonists' struggles made flesh, a nervous wreck laboring under an endlessly present deadline.

Gordo by Gus Arriola - October 4, 1960. Cartoonist Windsor Knott bemoans the stresses of cartooning, asking for a double hemlock at Del Monte's private club (El Refugio).
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By mid-April, Gordo has fully reconstructed his signature silhouette.

"With every breakfast, lunch and dinner -- with every siesta, loll and loaf, our buddy regains his former aspect!"
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YMgordo-y-mas.bsky.social

In early 1964, Gordo does the unthinkable -- he reduces! In anticipation of a reunion with an ex-girlfriend, Gordo goes on a drastic self-improvement program. Unfortunately, as the now-lean lover comes to realize, there's a downside to recapturing one's youth ...

Gordo overhears local girls discussing his age -- a topic he never heard when he was fat and gray!
Gordo abandons his diet after becoming the center of the town's gossip.
Gordo comes to accept his age and its frailties.
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YMgordo-y-mas.bsky.social

This AP article from December 8, 1984 anticipates the Feb 1985 finale of Gus Arriola's long-running strip. There were many reasons for Arriola's retirement, but he sums it up like this: "Forty-three years of deadlines is enough to kill anybody. I want to get out before it kills me."

Forty-three years of deadlines is enough to kill anybody," Arriola said Friday. "I want to get out before it kills me."
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YMgordo-y-mas.bsky.social

For the last one of this batch, here's a showcase of many of Arriola's later-career trademarks: Bold organic sound effects, expressive movement, folkloric design inspiration, soft-heartedness towards wild animals and, lastly, Poosy Gato. (February 22, 1976)

A bird smacks into the window against which Poosy Gato was napping, forcing Gordo to race his kitty in order to keep him from eating the injured bird.
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¡Gordo Y Más!
@gordo-y-mas.bsky.social
Celebrating the work of critically acclaimed cartoonist Gus Arriola, and his iconic comic strip Gordo! Sharing photos from my personal collection of newspaper strips, original art and more! (account operated by Jon Morris @calamityjon.bsky.social)
73 followers22 following113 posts