The really cool thing would be to get my hands on some 60mm rolls and roll my own 120 film! But I’ve only been able find it in 1000’ rolls for like $350+
It depends on the variety. I believe D2 and D7 are single sided but the rest are double sided. All of them have anti scratch and anti halation layers which is nice. I got it off of eBay. Dev’d the 4x5 via dip and dunk hangers and the 16mm in a cut down Paterson reel. Both in caffenol-C-H.
Since the speed graphic has a curtain shutter (most large format cameras rely on the shutter being mounted on the lens), you can use all kinds of wonky lenses on it. He's some shots taken with a lens I fashioned from a broken set of binoculars I got at the thrift store. #believeinfilm#4x5
Managed to snag some Structrix D2 structural inpection X-Ray film. This stuff is slooooooooow! Captured some images on 4x5 and 16mm minolta 16 at ISO 1 and I think it's still too dark. If you happen to try to use this film, shoot it at .5 ISO. #largeformat#believeinfilm#xrayfilm
I’ve always been partial to “skreem “
bem-vindos brasileiros!
Disturbed Slumber. Graflex Pacemaker Speed Graphic | Rank Taylor Hobson 210mm/F4.5 | Arista Ortho Litho (at 1 ISO). Developed in Caffenol. #believeinfilm#caffenol#largeformat#speedgraphic#4x5
Spent some time exploring the DC Metro system photographically with my Nikon F90, my pancake 50mm/F1.8, and some bulk-rolled Orwo UN 54. #35mm#film#beliveinfilm#filmisnotdead#wmata#dcmetro#dc#subway
The best thing to do is develop it as black and white since there are no more k14 color dyes available. I know there are a couple labs out there that’ll do it for you but not many because of the remjet so your best bet is to develop it yourself!