Klervi Dorfsman describes her process of learning to read a complex text in Yiddish through producing visual art. "All of a sudden, a few of the characters had faces and expressions. I was forced to make stylistic choices⌠I started noticing accents, vocabulary, humor!"
In geveb is an open-access digital forum for the publication of peer-reviewed academic articles, the translation and annotation of Yiddish texts, the exchange of pedagogical materials, and a blog ofâŚ
In our latest pedagogy post, a rabbi and a Yiddish teacher reflect on a course on tkhines that they co-taught, sharing their expertise. https://buff.ly/3ZIHKRa
We're back after our summer break to share with you the latest in Yiddish Studies! Here you will find some announcements and a call for submissions - please write for us! ingeveb.org/blog/were-ba...
We emerge briefly from our summer publishing break to share with you stuÂdent treaÂsures from the 2024 Steiner Summer Yiddish Programâs Intermediate Class, taught by Rivke Margolis.
We have extended the application deadline for the Peer Review Associate position to August 23. Read about the position below, and feel free to write to us with any questions. We hope you'll consider working with us! ingeveb.org/blog/in-geve...
Volunteer Opportunity! Next year will be In gevebâs tenth year publishing! We are planning ways to celebrate - and we could use your help. If you would like to volunteer to be on - or lead - a project to commemorate this landmark anniversary, please reach out to info@ingeveb.org.
It has been such a very productive publishing year that weâve kept on going until mid-way through the summer! At long last weâre announcing our summer publishing break; we will return to our regular publishing schedule in the fall.
Marianne Tatom reports on Klezcadiaâs inaugural 2024 festival, a fully hybrid, COVID-cautious festival that included daytime workshops and evening concerts with a variety of West Coast klezmer luminaries and Yiddish teachers.
Itâs been another busy year for In geveb! As our pubÂlishÂing year comes to a close, weâre proud to share with you a roundup of our most popÂuÂlar pieces.
Ofer Dynes reviews The Great Dictionary of Yiddish Language: A Chamber Opera, by composer Alex Weiser and librettist Ben Kaplan, calling it, "an ambitious, larger-than-life spectacle befitting the dazzling ambitions of the creators of the Yiddish dictionary." ingeveb.org/blog/the-gre...