Glad to hear it, though it's sad leaving that behind. General question - what's your vision/ambition for the industry post-strike given the achievements of the WGA deal? How do you see things changing in terms of staffing and creative opportunities?
Still early but there's but lots of theorizing about what the industry will look like as it apparently contracts (not the fault of the strike) for a bit. Any predictions? Even if there are fewer shows and movies will it be easier or harder to break in?
This is an unusual opportunity... So, Do you find it easier writing for yourself or to brief? And does it reflect on your view of the quality of the work?
Are you one of those who finds outlines easy to write? Or are you the sort who wonders which crossword demon the outliners struck a bargain with?
When you write, do use specific actors as mental place holders to craft stories?
I am thrilled to have a video chat meeting coming up with a producer I have been referred to about a script I’m working on called “Billy Shakes Is Out for Royalties,” and feeling nervous. Any best practices to prepare and how to handle it well?
It's a pretty good place. There are definitely fewer people, and that leaves quiet spaces. But I think that's kind of OK? Better than everyone constantly shouting.