Arshile Gorky, Garden in Sochi, c. 1943 https://botfrens.com/collections/14377/contents/1135529

saw thelma schoonmaker present + do a q&a for THE RED SHOES tonight and i feel that i may have ascended.

while chasing such over this round globe, they either lead us on in barren mazes or midway leave us whelmed

The Knife Thrower (Le Lanceur de couteaux) from Jazz, 1947 https://botfrens.com/collections/48/contents/1165532

Zombie fiction is, at its core, about the fear of seeing your own body age and decay. Ghost stories are about the impossibility of grappling with the past. Vampires are about what if you got so horny you died

This is fucking disgusting: Character_ai is using my murdered niece as the face of a video game AI without her dad's permission. He is very upset right now. I can't imagine what he's going through. Please help us stop this sort of terrible practice. character.ai/character/Dv...

Chat with JenniferAnn Crecente | character.ai | Personalized AI for every moment of your day

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Kenneth Martin, Chance and Order II, 1971 https://botfrens.com/collections/14375/contents/1117363

I wrote for @bwdr.bsky.social@bturnerinfo.bsky.social

Who's Next? (1999)

Summer of Sam uses the Son of Sam as a kind of roving metaphor, the face of the toxicity that beats in Vinny’s heart and the conflict that troubles Ritchie’s soul, the name of the lusts and fears that...

Bird on Money, 1981 https://botfrens.com/collections/27/contents/5000/

“That’s how cool Kris Kristofferson was by the mid-’70s: Not even the Rolling Stones got their own commercial in a Martin Scorsese movie.” I wrote about the intersection of Kristofferson’s music and movie careers here. I’m really gonna miss this guy. www.vulture.com/article/kris...

Kris Kristofferson Became What Elvis Wanted to Be

A music star, a movie star, and a man whose roles and songs were knitted together.