i had the music video for this on a cd when i was 11 and watched it every couple of days. it made me dangerously susceptible to white people with dreadlocks
i spent years honing my google fu. it was something on which i could pride myself. theyâve taken so much from me!
i used this mechanic a LOT writing EREBUS! i really enjoy that element of risk/reward where youâre incentivising the player to hold their hand in the fire longer than maybe theyâre comfortable with.
i vividly remember reading someoneâs interview with her where my impression that she commits hard to the ârun on sentence free association of wordsâ bit melted into the haunting realisation that, no, she was just genuinely unwell
oh dang. i might actually have to start turning full-screen effects back on
Every animal you generate with this technology is dead
really interesting read! one of my backburner projects is a heist/intrigue game set in a cold war cyberpunk milieu so this actually really helped me think about how the various tensions in a setting can be visualised / fleshed out.
a deep-fried .jpg of alison kicking gog in the face, emblazoned with WE'LL BE RIGHT BACK