haven’t posted on here a while but here’s a plug for my weekly newsletter, INBOX INFINITY. this week includes an essay about bandcamp, MIKE’s new album, and the stagnancy of rap’s upper echelon www.inbox-infinity.com/dont-stop-in...
Welcome to Inbox Infinity, a music writer's attempt to recapture excitement via his Gmail inbox. Send me your music. "The Big Three" As of this Tuesday, the Number One song in the country is Drake...
you can’t build a savings account out of “oh wow that’s cool” answers to “what do you do?” questions. ok i’m done bitching, gonna go improve my mood by walking to get a bagel
wouldn’t even be able to do this were it not for a side job and a loving partner who makes an actual liveable salary, so i’m thankful for those. but maybe i should’ve given more credence to all that “dying industry” talk i heard in college
woke up in that good old “why in the fuck have i invested a decade-plus of my life in a career path that has netted me a comically tiny amount of money” mood who can relate
social media this week is summer 1969 when there were multiple bands touring the states claiming to be The Zombies but The Actual Zombies were back in england with day jobs. in this metaphor though, the day jobs are manufacturing dumb cars and pampering fascists
snapping a candid pic of joe biden like
happy 10th anniversary to the time i saw deafheaven play 285 kent at 1am on july 4th (technically the 5th i guess)
desmond/desi. he’s 10 and has the reputation of being a complete asshole but has considerably mellowed out in his advanced age
hell of an album. haven’t posted about on this app yet so here’s my pitchfork review: