Painting created c.late 1950s, by Brenda Marshall in the art therapy studio at Netherne hospital where she was compelled to live. Sometimes she made notes on the backs of her work, most of which describe a distressing & difficult relationship with her father.

It seems pretty daft that it hadn't occurred to me until now to wonder how all of these works survived. Then I read a little about Edward Adamson. What a wonderful way for someone to use their talents.