🚨🚨🚨🚨4 days left to submit: CfA for our Special Issue “En/Countering Tracking. Resisting spatiotemporal media operations in computational culture” of Computational Culture is open until September 15. More Information: computationalculture.net/cfps-events/
Seit heute ist mein Buch »Operative Porträts. Eine Bildgeschichte der Identifizierbarkeit von Lavater bis Facebook« (Konstanz University Press 2019) kostenlos im #OpenAccesswww.k-up.de/978383539113...
To develop this perspective, we build on great work of @simschaupp.bsky.social@grohmannrafael.bsky.social@ruha9.bsky.social@michael-dieter.bsky.social@fabianlferrari.bsky.social@amkanngieser.bsky.social@robkitchin.bsky.social@torinmonahan.bsky.socialky.social@kanarinka.bsky.social
Drawing on a digital ethnography our article offers a critical media studies perspective on resistant mobile media operations in response to app-based tracking.
App-based tracking is evolving into an arena for negotiating resistance, conducting counter-surveillance and disrupting platform-based supply chains either 1) directed against app-based tracking itself or 2) seek to operationalise resistance through the use of app-based tracking.
Summary thread: ⬇️ Tracking by mobile media has become key to coordination and surveillance of delivery gig work. Through their daily app-based media operations, delivery gig workers contribute to the capitalisation and establishment of platform companies’ spatiotemporal regimes.
Just published: New Mobile Media & Communication paper with Kathrin Friedrich on resistant media operations by delivery gig workers in response to app-based tracking. Learn more about resistant media operations in response app-based tracking:5015792412707: journals.sagepub.com/doi/10.1177/...
Tracking by mobile media has become key to coordination and surveillance of delivery gig work. Through their daily app-based media operations, delivery gig work...
Reminder | CfA: “En/Countering Tracking”, Computational Culture, Special Issue/September 15, 2024 For the full CfA visit: computationalculture.net/cfps-events/ Feel free to repost
Gleichzeitig bekomme ich bei der Transkription auch schon Einblick ins Material
Ich nutze f4. Meistens greife ich am Ende aber auf das manuelle Transkriptionstool von f4 zurück, da ich ohnehin nochmal alles nach Fehlern durchgehen muss. In dem Tool ist es möglich, die Geschwindigkeit der Tonspur zu halbieren und es gibt eine Menge Shortcuts, die die Arbeit erleichtern.