Also good to see this conference report published today by my PhD student Will Sanders: āConference report: āThe state of urban history: past, present, futureā, Leicester, 11ā13 July 2023ā, in @urbanhistory.bsky.socialwww.cambridge.org/core/journal...
Good to see this article on āWaterworks, municipal government and the environment in twentieth-century Britainā published open access in @urbanhistory.bsky.social@mctom.bsky.socialwww.cambridge.org/core/journal...
Lovely module visit to Giptonās former fire station today for our Public History Project. Excited to start the research and share the stories šš»
Great to meet my third years and discuss womenās history, public history and all things AFS. Good to get this HLF project started with Space2 and the Old Fire Station at Gipton. Research-driven teaching for sure.
Prompted by seeing Kate Winsletās portrayal of Lee Miller (actually, more so Andrea Riseborough as Vogue editor Audrey Withers), I dipped into the Vogue archive today and found a few useful articles on womenās civil defence fashion. Straight onto my module primary source list! And do watch Lee.
š¢ Very exciting news! š All research articles accepted for publication after today will be open access (published with a Creative Commons licence and freely available to read online). ā¹ļø Find out more about Cambridge University Press' Open Access policies here: cambridge.org/core/open-re...
Re-upping for the Monday crowd: The first instalment of a two-part piece on the overarching plot themes of Ealing films and their ideological underpinnings, focusing here on the studio's wartime output and the war films it made after 1945. All reposts (and subscriptions) much appreciated.
The Second World War was the formative period for Ealing Studios under Michael Balcon, and the nascent mythologisation of the conflict became embedded in its mode of storytelling.
Thanks for sharing John and Mike. Useful for my studentsā thinking in research women volunteers to the AFS at the start of the Second World War.