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TGpirategonzalez.bsky.social

9/30/2024 Weekly Beacon Build challenge! -Level 6 -Must use one of the 3 ancestries and jobs. -Must take at least 1 level in selected job. -Must use at least 3 pieces of loot from the 4 loot crates.

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ABalaskabeacon.com

Two conservative Republicans compete in a close House race on the northeastern Kenai Peninsula, reports Claire Stremple of the Alaska Beacon:

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TBruadhnaomh.bsky.social

I think this is also part of the reason that people were freaking out when SPD went down - beyond the crucial distribution functions, it really helped to have a bigger beacon available to navigate what's otherwise really murky.

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FEfredericchurch.bsky.social

Study of Schooners and Beacon Day Marker https://collection.cooperhewitt.org/view/objects/asitem/id/22787

Study of Schooners and Beacon Day Marker
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Kkramec.bsky.social

J'ai quelques clĂŠs steams Ă  filer Ă  vous, mutu-e-s ou personnes que je connais. Voici la liste : A Guidebook of Babel Astral Ascent Astrea: Six-Sided Oracles Beacon Pines Bravery and Greed Children of Silentown Destroyer: The U-Boat Hunter Diluvian Ultra Empyrion - Galactic Survival

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SWspartanwater.bsky.social

Spartan Water Restoration stands as a beacon of hope and resilience amidst the chaos of water damage disasters. Address 1719 E Hearne Way, Gilbert, AZ, 85234 Phone 480-914-2582 Email greatconcepthomesllc@gmail.com Website spartanwaterrestoration.com

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LHlyndonhood.bsky.social

I like to think I could be a beacon of hope

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EHedwardhopper.bsky.social

Nighthawks, 1942

Edward Hopper said that Nighthawks was inspired by “a restaurant on New York’s Greenwich Avenue where two streets meet,” but the image—with its carefully constructed composition and lack of narrative—has a timeless, universal quality that transcends its particular locale. One of the best-known images of twentieth-century art, the painting depicts an all-night diner in which three customers, all lost in their own thoughts, have congregated. Hopper’s understanding of the expressive possibilities of light playing on simplified shapes gives the painting its beauty. Fluorescent lights had just come into use in the early 1940s, and the all-night diner emits an eerie glow, like a beacon on the dark street corner. Hopper eliminated any reference to an entrance, and the viewer, drawn to the light, is shut out from the scene by a seamless wedge of glass. The four anonymous and uncommunicative night owls seem as separate and remote from the viewer as they are from one another. (The red-haired woman was actually modeled by the artist’s wife, Jo.) Hopper denied that he purposefully infused this or any other of his paintings with symbols of human isolation and urban emptiness, but he acknowledged that in Nighthawks “unconsciously, probably, I was painting the loneliness of a large city.” Friends of American Art Collection
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