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Rchompmancobra.bsky.social

Oh yes, that's definitely the main realism problem with dragons

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SOsnow-fredel.bsky.social

thank you for the art share❤ I hope you have a nice weekend

Commission of Aura couple illustration art dragon born black horn characters with tattoo on their whole bodies from ffxiv final fantasy XIV FF14
Y'shtola Yshtola miqote fanart from final fantasy XIV (ff14) in semi realism rendering style illustration art
Keqing from genshin impact fanart in purple color tone background she is wearing glass slipper shoes
Commission of Dnd Hunter illustration standing in the redish color background he has silver sword on his back
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PCmajima.club

Post something violently American

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LAaguaspoints.bsky.social

They are looking out for their class interest. They will use their money and influence to make their class more resilient to climate change. While, we, the rest of the world, become scarified zones. Simply put right-wing climate realism to quote Ajay Singh Chaudhary. We are not in it together.

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SKsharonk.bsky.social

would probably have to sell it to the Blob and the others as progressive realism though

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EDthrenody.bsky.social

well, unless one of them was careless and fell out along with a kilo of confiscated weed and a suitcase of cash. but i'm trying to maintain realism here.

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Rocks, Gloucester by Stuart Davis, Helen Stuart Davis, 1915, New Orleans Museum of Art (New Orleans, LA) #Art#ModernArt#AmericanModernism More in alt text

For early American modern artists like Stuart Davis, energetic cities and widely varied terrain offered  intriguing new ground for artistic experimentation. During the first decades of the 20th century, Davis lead the shift from realism to abstraction in American art. Davis began his career creating more realistic, documentary paintings, and ended it painting almost entirely abstract works now celebrated for their striking visual modernism Rocks, Gloucester is a pivotal transitional work for Davis, painted just as he started working in a more experimental style. For Davis, the bright new colors and bold new forms of paintings like this one were a way of capturing the mad rush of American life, from as he said, "fruit and flowers; kitchen utensils; Fall skies; horizons; taxi-cabs; radio; art exhibitions and reproductions; fast travel; Americana; movies; electric signs; [and the] dynamics of city lights and sounds."
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