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喬石言 were a stone to speak
@kmichaelwilson.bsky.social
Historical Chinese literature, poetry, and philosophy. Co-host Rereading the Stone podcast. Author, researcher, educator, etc.
207 followers232 following1k posts
WAkmichaelwilson.bsky.social

My article For Typebar magazine Has been unpaywalled Yes YES You can read it for free now, but consider subscribing to the magazine

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Sadomasochism in Space: Lost Worlds of Gender Representation in 1980s Science-fiction Romance by @kmichaelwilson.bsky.socialwww.typebarmagazine.com/2024/08/29/s...

Sadomasochism in Space: Lost Worlds of Gender Representation in 1980s Science-fiction Romance by K. Michael Wilson
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WAkmichaelwilson.bsky.social

You ever read Flowers in the Attic? That's what capitalism is doing to your unconscious #deleuzepilled#Monday

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WAkmichaelwilson.bsky.social

"The Displaced Person" (1955) #Flannerysky#OConnorpilled

“Mrs. Shortley recalled a newsreel she had seen once of a small room piled high with bodies of dead naked people all in a heap, their arms and legs tangled together, a head thrust in here, a head there, a foot, a knee, a part that should have been covered up sticking out, a hand raised clutching nothing. Before you could realize that it was real and take it into your head, the picture changed and a hollow-sounding voice was saying, “Time marches on!” This was the kind of thing that was happening every day in Europe where they had not advanced as in this country, and watching from her vantage point, Mrs. Shortley had the sudden intuition that the Gobblehooks, like rats with typhoid fleas, could have carried all those murderous ways over the water with them directly to this place. If they had come from where that kind of thing was done to them, who was to say they were not the kind that would also do it to others? The width and breadth of this question nearly shook her. Her stomach [...]
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WAkmichaelwilson.bsky.social

you can tell the digestive state of a writer there are signs

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LBlaurenbajek.bsky.social

Everybody I know has been fairly blindsided by this, so maybe this is going to ring hollow, but I want trans women entering SFF to know that lots of us are in camp "fuck off, terfs." The transphobes don't speak for us.

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WAkmichaelwilson.bsky.social

I suspect I'd like Han Song a lot better than Liu Cixin (whom, full discourse, I find basically unreadable), but this Hospital series sounds so relentlessly bleak... hard to bring myself to get "stuck in" such a world

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WAkmichaelwilson.bsky.social

annoyed by zoomers' apparent inability to take covid seriously, this annoyance mediated somewhat by the knowledge that so many of them will never have the privilege of good health (on account of repeated covid infections)

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WAkmichaelwilson.bsky.social

so I'm going through a Deleuzian phase in my thinking (problematizing "desire as lack" etc. etc.) it's kind of interesting to realize, then, that even before starting Anti-Oedipus, when writing on V.C. Andrews, I was already trying to historicize Freudianism www.patreon.com/posts/readin...

The appeal of Flowers is that, by isolating an exceptionally ghastly familial tale, the oppression inherent to all familial structures is rendered plain, as are the forms of desire that oppression either instills or activates. In this way, Flowers is marvelously both Freudian and social-constructivist, or, rather, Flowers effortlessly renders Freudian insights in a way that foregrounds how these insights were always meant to be social-constructivist, were always meant to depict a particular family structure at a particular historical moment, one in which confinement and isolation of children, women, and the poor were considered socially acceptable.
It's no surprise, then, that one can readily trace parallels to the Chinese classic Dream of the Red Chamber, itself born out of an historical moment similarly characterized by oppressive familial forms. Once you start thinking about it, it's hard not to treat the attic as a kind of miniaturized Prospect Garden (in which "fake flowers" can a
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WAkmichaelwilson.bsky.social

[regrettably still thinking about Gaiman, but in the usual, overly abstract capacity] in a society where housing is a site of "necessary exploitation" (you won't get a house unless someone is profiting off you), ownership of *an extra house* becomes a reduplicative space

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WA
喬石言 were a stone to speak
@kmichaelwilson.bsky.social
Historical Chinese literature, poetry, and philosophy. Co-host Rereading the Stone podcast. Author, researcher, educator, etc.
207 followers232 following1k posts