continually surprised by how many ppl & often poets, want cheap lyric sentiment from poems - like is there not enough already circulating around on soc media, ads, home decor
Thomas Bernhard on his friendship with Wittgensteinās cousin, beautiful wordless musical evenings.
academic publishers be like š« can you write a book for free š« letās print 150 copies š« each one will retail for Ā£150 each why not š« no we donāt do edits š« weāve sold the book to AI for LLM training if this isnāt a pyramid scheme literally what is
At this point it might be useful to know which academic publishers do NOT have agreements to feed their authorsā content into LLMs, if any, and try to go with them.
I know I'm always fangirling @davidnaimon.bsky.socialtinhouse.com/podcast/isab...
Todayās conversation with Isabella Hammad is truly like no other on the show in its fourteen year history. The main text of her book is the speech she delivered for the Edward Said Memorial Lecture in...
I see why these dipshits want machines to write for them
a new long poem in The Poetry Review, thank you Wayne Holloway-Smith & @poetrysociety.bsky.social š
ā[his] real interest [as a critic] ā¦ has been not in interdisciplinarity so much as in forms of āindisciplineā, of turbulence or incoherence at the inner or outer boundaries of disciplinesā. Nicely put.
Thank you @gabrielflynn.bsky.social for publishing the overview of our symposium and the wonderful creative work that participants produced on Poetry & Indiscipline
New on creativecritical.net ā work from Sam Buchan-Watts and @lucymercer.bsky.social's symposium on Poetry and Indiscipline, featuring Denise Riley, Lavinia Singer, Jess Cotton, Rey Conquer, Hugh Foley and John Wedgwood Clarke.
New work by Denise Riley, Lavinia Singer, Jess Cotton, Rey Conquer, Hugh Foley and John Wedgwood Clarke