continually surprised by how many ppl & often poets, want cheap lyric sentiment from poems - like is there not enough already circulating around on soc media, ads, home decor
academic publishers be like 🫠 can you write a book for free 🫠 let’s print 150 copies 🫠 each one will retail for £150 each why not 🫠 no we don’t do edits 🫠 we’ve sold the book to AI for LLM training if this isn’t a pyramid scheme literally what is
At this point it might be useful to know which academic publishers do NOT have agreements to feed their authors’ content into LLMs, if any, and try to go with them.
I know I'm always fangirling @davidnaimon.bsky.socialtinhouse.com/podcast/isab...
Today’s conversation with Isabella Hammad is truly like no other on the show in its fourteen year history. The main text of her book is the speech she delivered for the Edward Said Memorial Lecture in...
I see why these dipshits want machines to write for them
a new long poem in The Poetry Review, thank you Wayne Holloway-Smith & @poetrysociety.bsky.social 🌅
‘[his] real interest [as a critic] … has been not in interdisciplinarity so much as in forms of “indiscipline”, of turbulence or incoherence at the inner or outer boundaries of disciplines’. Nicely put.
Thank you @gabrielflynn.bsky.social for publishing the overview of our symposium and the wonderful creative work that participants produced on Poetry & Indiscipline
New on creativecritical.net – work from Sam Buchan-Watts and @lucymercer.bsky.social's symposium on Poetry and Indiscipline, featuring Denise Riley, Lavinia Singer, Jess Cotton, Rey Conquer, Hugh Foley and John Wedgwood Clarke.
New work by Denise Riley, Lavinia Singer, Jess Cotton, Rey Conquer, Hugh Foley and John Wedgwood Clarke
Predicting in a few years the collapse of the general acceptance of the idea that digital media is somehow better (The Upgrade) than other mediums when it is obviously not in any way (films, books, art, music, letters, shopping etc) & that material culture can be digitised - scam is up when