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Matt Potter
@mattpotteruk.bsky.social
Journalist, showpony, author, magpie. Geeking out @ Washington Post, Time, BBC, Literary Review, Independent. Books WE ARE ALL TARGETS/OUTLAWS INC. Music, science, language, subculture, art, cyber, prehistory, culture. He/him. ND. mattpotter@protonmail.com
180 followers162 following353 posts
MPmattpotteruk.bsky.social

Honestly, infectious joy in creativity, enthusiasm in bringing something to life, is the most powerful substance in the universe. In acting, music, writing, standup, everything. Gimme that contact high and I am YOURS. The 4-second clipā€™s here if you wanna see it: www.instagram.com/reel/DAylJu3...

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Hhypervisible.bsky.social

Yikes.

People worry about what it means to be a human being when machines can imitate us so accurately, even at the bedside. The truth is that prewritten scripts have always been deeply woven into the fabric of society. Be it greetings, prayer, romance or politics, every aspect of life has its dos and donā€™ts. Scripts ā€” what you might call ā€œmannersā€ or ā€œconventionsā€ ā€” lubricate the gears of society.
In the end, it doesnā€™t actually matter if doctors feel compassion or empathy toward patients; it only matters if they act like it. In much the same way, it doesnā€™t matter that A.I. has no idea what we, or it, are even talking about. There are linguistic formulas for human empathy and compassion, and we should not hesitate to use good ones, no matter who ā€” or what ā€” is the author.
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MPmattpotteruk.bsky.social

Ha! Yeah, I got Broccoli but feeling like Iā€™m Onion Rising tbf

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MPmattpotteruk.bsky.social

ā€¦ I think anyone who creates - not just painting, but music, writing, any imaginative exercise - knows that feeling. I do. So hereā€™s to Marianne von Werefkin. She hasnā€™t had the coffee-table book or show-headlining treatment of Kandinsky or the others. But her work is there. Dealing with that.

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MPmattpotteruk.bsky.social

Itā€™s there in all her paintings: the crushing, inscrutable violence of life, held at bay, kept out, by the projected energy of the artist. Success came hard. She sacrificed years of her career for a male partner, endured a lot. Her art was her agency. Her refuge & shield against all of that. Andā€¦

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MPmattpotteruk.bsky.social

And hereā€™s ā€™The Red Treeā€™ (1910). Look at the crushing weight of that dark mountain above her. And then thereā€™s the red tree, like an umbrella, but glowing - with the artist underneath. Itā€™s like the Ready Brek magic ring. Or one of William Blakeā€™s forcefields. Art is, literally, her protection.

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MPmattpotteruk.bsky.social

In all her work, you can feel the need to push against that overwhelming weight & chaos of the onrushing world. You are NEVER the strongest element in that push. But her figures use whatever strength they have - physical, creative, psychological, will. Hereā€™s The Storm (1907). Look at the people.

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MPmattpotteruk.bsky.social

Right?! And those periods of hours, alone inside the silence on the seabed, with herself and imminent death at her shoulder. Those are the hallucinatory inner monologues in italics to start each chapter. šŸ”„šŸ”„šŸ”„

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MPmattpotteruk.bsky.social

The days go forward this weekend, so this is actually Sunday, in fact! [The rules were you guys are not gonna fact check, etc]

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Matt Potter
@mattpotteruk.bsky.social
Journalist, showpony, author, magpie. Geeking out @ Washington Post, Time, BBC, Literary Review, Independent. Books WE ARE ALL TARGETS/OUTLAWS INC. Music, science, language, subculture, art, cyber, prehistory, culture. He/him. ND. mattpotter@protonmail.com
180 followers162 following353 posts