Get Carter captures the northern soul of Newcastle and give the industrial heart of the city a lost in time romance #getcarter#cinematography
Get Carter captures the northern soul of Newcastle and give the industrial heart of the city a lost in time romance #cinematography#getcarter
“We should be asking if the institution is well equipped to continue the work. Because putting diversity on the sole head of responsibility for one individual does not work" - Miranda Wayland CEO of Creative Diversity Network #ibc365#EdinburghTVFest#DiamondData#DEIwww.ibc.org/role-models-...
Miranda Wayland, CEO of Creative Diversity Network says the focus on individual DEI executives and departments misses the bigger picture. Adrian Pennington reports.
“In a ghost house film, it is the sleight of hand that matters. It’s all a mirage” - DoP Haris Zambarloukos www.ibc.org/features/beh...#ibc365#beetlejuice#cinematography
Tim Burton and Michael Keaton's return to the fantasy horror comedy hit is lensed by Greek-Cypriot cinematographer Haris Zambarloukos. Adrian Pennington reports.
"I’ve filmed different species all round the world and this is the first time I’ve seen a human-like emotional response to something" britishcinematographer.co.uk/supplement_p... @BCineMag with thanks @trailtoanywhere
Oscar-winning director James Reed and cinematographer Ben Sadd do things differently...
“Marmots are territorial animals. We wanted to show that vicious side not least because it’s more exciting than a marmot eating a carrot. There were moments when they’re waddling away with blood running down their legs.” britishcinematographer.co.uk/supplement_p...
Cinematographer Jack Mifflin used the Laowa Ranger Compact Cine Zoom to capture European marmots in the wild.
For my interview with editor Sam Williams on S3 Slow Horses - check out the current issue of American Cinema Editor editfestglobal.com/cinemaeditor...
"It seems inevitable that each scene is going to flow into the next but what’s fun as an editor is you can lift a scene and plug it back down and see how the story plays differently" Robert Frost on editing S4 Slow Horses www.ibc.org/features/beh...
DoP Simon Duggan on shooting the War Rig sequence across the Australian desert for Furiosa: A Mad Max Saga www.red.com/stories/furi...#REDCinema#madmax
Networking and support group Women in Wildlife is connecting and amplifying women working within the wildlife industry. Hear from its founder and members about the group’s vital work @BCineMag @ARRIChannel britishcinematographer.co.uk/supplement_p...
Networking and support group Women in Wildlife (WiW) is connecting and amplifying women working within the wildlife industry.