It's a trap to think she's simple enough for beginners (and ESPECIALLY for composers who aren't passionate about poetry) just because she's often rhythmically consistent. She's often HARD to interpret. I've heard too many manglings that flatten or outright mischaracterize her and her works.

If I'm being completely honest, it's wildly rare for men to set her correctly. There are a tiny handful of good examples (Hundley's "Will There Really Be A Morning" comes to mind), but the vast majority either flatten her into Dainty Cute Flowers Girl or Melodramatic Sad Woman. Neither is any good.