Deleuze has a tendency toward designing a gameworld for his essays’ readers so there has to be some *formula* and so ‘Bartleby’ flushes it out in this essay as well

the recurring phrase does feel like a monad which is I’m guessing what led him to cling to the text. it sort of floats above the bodytext

the lack of assignable qualities being in the reader

I adore my Vision Pro, it’s like having my first computer again

I want it to be as insidious as it wants, as moves it trough aspects of Ronnie’s morning routine, though without dehumanizing him. it doesn’t have to harm him either but move trough and around and it is only experienced as slight discomfort, maybe a small unaccounted vortex of air under a skin fold

Vision’s design is a nod to 90s Logitech 90s ergonomics. It is early, it’s heavy, fiddly, goofy, hot, over-engineered, I adore it find it the coolest piece of gear I’ve ever seen or touched

Back then one could sell all sort of goofy things, remember Logitech gear? The dichotomy is similar to that between film and tv, Tv is for sophisticated viewers meaning: those who know what they want, film is for early adopters, those who want cutting edge willing to tolerate seams

Happy birthday!

I remember the sim-ejector tool being made from liquid metal (patent Apple leases) which later found its way into intricate macbook hinges. a credit card isn’t all that complicated to form hence good testing run